Essay about Rembrandt - 1237 Words

Rembrandt Rembrandt is known as one of the greatest artists of the 17th century. He is also known as one of the greatest painters in western art. Rembrandt earned these titles rightfully so. He belonged to the Baroque period. The Baroque period had works of art that were emotional, dramatic, and included real people as the primary subjects. Rembrandt showed all of this in his work. Rembrandt was influenced by nature, religion, the Bible, and humanity. His paintings showed his moods and feelings towards all of these. He would study people, especially members of his family, including himself to use as the basis for his work. He created over two thousand works of art including; ninety self-portraits, sixty paintings, and the rest†¦show more content†¦His subjects were dramatic, compositional organization was crowded, and he used energetic opposition of shadow and light. He frequently chose historical and religious themes for his work. In many of his early works, he sh ows his love of exotic costumes. A perfect example is The Noble Slav from 1632. He was preoccupied with features of the sitter and the many details surround them such as furniture and clothes. Sometimes when using family members, he would conceal them as another, such as when he used Saskia as Flora from 1634 or his Mother as the Prophetess Anna from 1631. During this time he was so engrossed in self analysis that he created many self-portraits, around sixty. Perhaps, he created more self-portraits than any other artist has. Many of this pictures contributed to studies of various emotions, which were later used in his religious and historical paintings. The may have also been used to illustrate his command of chiaroscuro, or the use of light and shade without color. In one painting deep shadows cover his face, leaving his features almost unrecognizable. In Protestant Holland during this time, religious art was valued as not being important. Even so, biblical and religious subjects accounted for about one-third of his work. Drama, as part of the Baroque period, was fully accentuated. The middle period Rembrandt’s influence of classicism is shown. In the Portrait of the Mennonite Preacher Anslo and His WifeShow MoreRelatedRembrandt Essay examples874 Words   |  4 PagesRembrandt Harmenszoon van Rijn is generally considered one of the greatest painters in European art history and the most important in Dutch history. Rembrandt was also a proficient printmaker and made many drawings. His contributions to art came in a period that historians call the Dutch Golden Age (roughly equivalent to the 17th century), in which Dutch culture, science, commerce, world power and political influence reached their pinnacles. In all, Rembrandt produced around 600 paintings, 300 etchingsRead MoreRembrandt and the Nude Essay1607 Words   |  7 PagesRembrandt van Rijn was a Dutch artist well known for his many paintings and etchings of landscapes, figures and animals. His subjects included biblical, secular and mythological scenes. Rembrandt also dabbled in the nude even though they were not popular among his contemporaries. Rembrandt’s nudes were his interpretation of the real human body. He painted every wrinkle and every fold of the body. Rembrandt’s nudes were not considered ugly and grotesque. His nudes were unlike the Greek goddesses hisRead More Rembrandt and The Western Art438 Words   |  2 PagesRembrandt uses oil on wood in one of his earliest self-portraits, depicting himself in a fabulous costume that includes a plumed hat, a silk scarf, and an elegant jacket complete with gold trim. 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This time period influenced his style of artwork heavily as these were the Post-High Renaissance years. This meant that the accepted artworks of the society at the time were religiously based works influenced by the efforts of the Reformation which was also occurring at the time. This meant that Rembrandt painted his worksRead MoreComparing Rembrandt And Eakins s Anatomy Of Dr. Tulp1258 Words   |  6 PagesIntroduction: Rembrandt and Eakins The similarities, and differences, between Rembrandt Harmenszoon van Rijn’s Anatomy of Dr. Tulp (1632) and Thomas Eakins’ The Agnew Clinic (1889) are both uncanny and unprecedented. Painted in 1630’s Amsterdam during the Dutch Baroque period, Rembrandt sought to preserve the rare occasion in which a real human body was used as an academic tool in order to prove anatomy theories. On the contrary, Eakins piece was painted in 19th century America during the realist